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The Cold Cases of Grey & Red

By Elizabeth Kennedy

Illustration by Yibeni Tungoe

She ran, her feet pounding against the frozen earth. Every step sounded like a drumbeat of desperation. The winter air felt heavy as it entered her lungs. Glancing over her shoulder, she could feel someone but saw nothing. Stopping meant death. She darted behind a tree, pressing her back against its rough bark. The wind whistled through the branches, brushing her hair in front of her face. Her breath trembled as she tried to shrink into the darkness. A beam of light cut through the darkness. A flashlight. She exhaled, thinking she might be safe. But the feeling was fleeting as the footsteps moved closer. The light from the flashlight trembled, then angled toward her hiding place. The warmth of hope escaped her, and her blood ran cold.

           The killer had found her.

           I shot straight up in bed, my heart hammering, my throat dry. Sweat soaked my sheets. I clutched my throat, waiting for something to escape. The dream was gone, but its shadow lingered.

           He’s back!

           My phone sprang to life on my bedside table, casting a faint light over the room. I turned to look at the blinding screen: 4:30 AM. I groaned, rubbed my face, and slumped back down on the bed. I’d never dreamt like this. But I didn’t dare close my eyes again. I let my mind wander elsewhere. All I could think about was the dream and the unsettling realization that the Yosemite Killer was back. Eventually, I fell back to sleep. When I awoke again, everything was calm. I reached for my phone. 7:40 AM. There were no missed calls. And then the phone vibrated.

           I answered immediately.

          “Grey?”

           “Hey Chief…”

           “I need you to come down to the police station,” Chief Cromwell spoke flatly. “There’s a case I want you to look at.”

           “Missing person?” I asked.

           There was a pause.

           “Yes. How’d you know?”

 I scratched the back of my head. “Lucky guess?”

           “We were assigned the case a couple of hours ago. It’s… unusual.”

           “How unusual?”

           “I’d rather explain in person. You’ll want to see this for yourself.”

           “I’m on my way.”

           Mammoth Lakes sits just south of Yosemite’s towering wilderness, at the foot of the Sierra Nevada Mountains. At first glance, Mammoth Lakes looked like a postcard, but beneath the small-town charm was a sense of stillness that didn’t sit right with me. I rolled into town with snowflakes wisping across my windshield. The streets were quiet during the off-season, almost like the town was holding its breath. Snow blanketed the log cabin roofs, and icicles hung like fangs from the awnings. It’s a beautiful scene, but it’s also a reminder of how easily danger lurks under the surface. The police station sat on the edge of town, in a boxy, discolored building. A thin plume of smoke rose from the chimney.

           Inside, the fluorescent lights buzzed overhead like tired insects, humming and struggling to stay awake. The air was dry and stale. Wood-paneled walls sank into scuffed wooden floors. A lonely bulletin board sagged under the burden of faded flyers for trail warnings and missing children no one remembered. I passed the empty desks to the frosted glass door of the chief’s office. I opened the door, and inside were two people: Chief Cromwell, plump, overworked, drowning in files, and a woman I recognized only by reputation: FBI Agent Harper Wingsfeldt—short, sharp, and shrewd.

           I cleared my throat to announce my presence.

           Chief Cromwell looked up, “Good, you’re here! Let me introduce you to—”

           “Agent Harper Wingsfeldt,” she said, already on her feet, her hand extended.

           “Detective Nathaniel Greyber,” I replied, stepping forward, shaking her hand, “Everyone calls me Grey.”

           She nodded, unreadable.

           “Let’s get to it,” Chief Cromwell said, dropping a thick folder on the desk. “The Yosemite Killer. I know you’re familiar with this case, Detective.”

           My eyes locked on the folder as if it might vanish. “Yes. I’ve read every page of that file more times than I can count. But why now…?”

           “A girl, Red Warner, went missing a couple of weeks ago in Yosemite. We found her body deep in the woods. The remains were… consistent with the Yosemite Killer’s methods.”

           My pulse quickened. “Same injuries? Same patterns?”

           He nodded grimly. “Yes.”

           “You think it’s him.”

           “We suspect a connection,” he said. “We need someone who knows this case inside and out. That’s you!”

           “Chief… I’ve never worked on a cold case before.”

           “That’s why Agent Wingsfeldt’s here.” Chief Cromwell nodded towards her, our eyes met. She didn’t flinch. 

           “Then let’s not waste time,” I said. “If he’s back, we’re already behind.”

***

           Before meeting with Agent Wingsfeldt, my phone rang. It was my mom. She’s been with me through this case and knew how badly I wanted the Yosemite Killer caught. When I told her the case had been reopened, she warned me not to lose myself in it again. Since Dad died, she’s thrown herself into my work. She tried to fill the void he left with case files she barely understood. I hung up after an “I love you” and hurried to catch up with Agent Wingsfeldt.

***

           “Tell me what you know about the case.” Agent Wingsfeldt asked, pulling me into an empty office.

           “The Yosemite Killer’s been linked to six missing children’s cases over the past thirty years. Victims aged eleven to eighteen, all vanished in the winter.”

           “Ok.”

           “All the remains have been discovered throughout Yosemite. Each victim died the same way. At every scene, bullet casings were found etched with a snowflake symbol.” 

           “A snowflake?” she echoed. “Okay. Let’s work with that.”

           Initially, working with Agent Wingsfeldt was challenging. I thought I knew the case, the victims, the timelines, and the dead ends. But her relentless questions cut through my assumptions.

           Week one: she shadowed me. Quietly listening.

           Week two: she challenged me.

           “Is the snowflake a symbol or a timeline? Does it mean the killer only strikes in the winter?”

           “Maybe not,” I admitted. “We assumed the snowflake pointed to Yosemite’s off-season from December through February. But what if it was a misdirection?”

           Week three: we were deep in the old evidence boxes. She taught me how to read gaps in phone records and connections buried in unchecked leads. 

           Week four: I was thinking like her. Broader. Colder. I saw the case as a system instead of a pattern. 

           Week five: I detected a flaw in a witness statement before she did.

           “You’re a fast learner!” She muttered, noticeably proud. We started trusting each other. And then we found it, a new lead.

           “The killer could’ve killed his victims any time,” I exclaimed to Agent Wingsfeldt one night, “then held the bodies until winter, placing them in Yosemite in the off-season.” 

           “Which means,” she said slowly, “we’ve been looking at the wrong timeline.”

           For the first time in years, it felt like progress.

           Week six: I started dreaming about snowflakes. They shimmered behind my eyelids, like they were trying to tell me something.

           On the last day of training, Agent Wingsfeldt handed me a piece of evidence, testing everything I had learned about cold cases. It was Red’s coat. When I touched the fabric, I wasn’t in the evidence room anymore. I smelled pine needles, saw a red coat, and snowflakes etched into bullets. At first, I thought I was hallucinating. But these weren’t just images. They were memories. Later that night, I found a hidden file.

           A boy had gone missing. No record of him dead or alive.

           The face was… mine.

           I wasn’t just investigating the Yosemite Killer.

           I was one of his victims.

           I was the sole survivor.

           My mind spun. How could I be a victim? It doesn’t make any sense. As far as I knew, I was a detective—how could I be anything else?

           The next day, I wrestled with this new identity, struggling to come to terms with what it meant to be a victim. I didn’t feel like one. I walked into the police station and looked up to see Agent Wingsfeldt staring at me. The tension I felt was palpable; the air inside was colder than the weather outside. She broke the ice and stepped towards me.

           “What happened yesterday?”

           “I don’t want to talk about it,” I snapped, giving her a cold shoulder. I sighed, my warm breath thawing the icy air. “Sorry… I didn’t mean to—”

           She stood there watching me.

           “Last night I found a hidden file. It was supposed to be a part of the Yosemite Killer case and there was a picture of me, as a child, labeled as an ‘Unidentified Victim.’” 

           I told her about the dreams, the flashes of memory, and how everything changed the moment I touched Red’s jacket.

           “I don’t know how to deal with this—” I cleared my throat.

           “You need to learn how to deal with these new emotions,” her voice was calm, but firm. “That’s the key to unlocking your repressed memories. Let me show you something.”

           As I’m driving to mom’s house, I replay Agent Wingsfeldt’s words in my mind—as she showed me grounding techniques and sensory triggers. When I pulled into the driveway, I reminded myself of her instructions: Look through your belongings! See if something triggers a memory. Bring anything useful back to the station.

           Inside, my mom greets me with a smile and introduces an old friend. He shook my hand, and as he pulled back, I glimpsed a familiar tattoo under his sleeve: a small snowflake. I gave a quick hello and hurried past them to the attic. The space was cluttered; boxes stacked high, and dust thick in the air. I unearthed a winter jacket and an old photo of my parents surrounded by what I guessed were their old friends. The man in the house must be an old friend because he’s in the picture. Turning the picture over, I get this uneasy feeling as I notice snowflakes sketched on the back. Each item sparked something, but not enough to piece together a memory. Frustrated, I tossed everything into the trunk and headed back to the police station.

***

Illustration By Yibeni Tungoe

           At the station, I tried these sensory trigger exercises again with the same scattered objects sprawled out in front of me, and it felt useless and meaningless. I was tired of looking at them. I’d been working with them for weeks, but still nothing. Agent Wingsfeldt said it would take some time, but time was a luxury we didn’t have. I tried again with the picture. Closing my eyes, I caught flashes and shadows of something, but nothing solid. She had warned me not to force anything, saying I could do more harm than good. That was exactly why she wasn’t here now. I didn’t want her to see me ignore her advice. I needed to figure this out on my own. I thought back to her grounding techniques. Maybe… a breathing exercise will help center my emotions. I sat cross-legged on the floor, inhaling slowly and then exhaling. A shadow begins to form. Concentrating harder, a face comes into view. I have to find my mom and warn her!

           Outside, a storm was brewing, and I needed to leave before it got worse. I gathered everything and tossed it in the back of my car. I was a mess—too drained to chase ghosts, but now I have a face, his face. I wiped rain from my face, pressed the ignition, and listened to the engine stir against the storm.

           The road twisted through the rain. Water streamed down the windshield like nervous thoughts, and the thunder outside echoed the pulse in my chest. Lightning flashed like brief  moments of clarity between the chaos. I drove carefully, as the storm pressed in from all sides. Then, lightning ripped across the sky, and in the split second of white, something inside me unlocked. A cabin, a sign, and that handshake; it all comes together. Then thunder crashed. The headlights caught the road sign: “SLOW DOWN FOR WILDLIFE.” I hit the guardrail and crashed.

           I stepped out of my car, and looking into the woods, I saw a cabin in the mist. Something pulls me toward it, and as my hand presses against the door, I hear familiar voices coming from inside. I shove open the door to find my mom—with the Yosemite Killer. 

           “Mom,” I screamed, “Get away from him!” I lunged forward, pulling her behind me. “It’s me you want, not her!”

           He laughed. “We know you know.”

           “We…?” I turned to my mom, confused.

           Then the pain hit. The dream from months ago replayed in my mind and everything became clear. I was dragged into a truck surrounded by other kids, tied, and unconscious. My parents were there too, pacing around the truck, talking in hushed tones with their “old friends” from the photograph. Each of them had a snowflake tattoo on their wrist.

           When I came to, I was staring at bullet casings etched with snowflakes. I was gagged, and my wrists were bound to a chair. I knew then she was a part of this. 

           “You ruined everything!” my mom hissed.

           “Why are you protecting him? He’s not your son!” the Killer roared.

           The room shook.

           “Remember? He’s part of the game!” the Killer continued.

           “He wasn’t supposed to be part of this.”

           “You broke the rules!” 

            Silence.

           “We agreed to look the other way when you kept him, and youpromised he’d never remember. You ruined everything, not me!”

           My mom began to sob. The chair spun around, and I sat face to face with the Yosemite Killer. It was the man in his mom’s kitchen.

           He grinned. “Now that you remember, you must die!” 

           My pulse hammered. The Killer’s gun clicked.

           CRASH. My mom hurled a jar across the room and quickly grabbed a syringe from a nearby table. The Killer cursed, ducking, the gun slipped from his hand and clattered to the floor. I twisted my wrists hard until the fibers snapped. I lunged sideways, knocking the chair over as I hit the ground. The Killer bent to grab the gun, but suddenly froze, then collapsed, an empty syringe protruding from his neck. Behind him, my mother stood trembling, staring down at his body, and reached for the gun.

           “Run.”

           I scrambled to my feet and ran as fast as I could into the woods. Behind me, a single gunshot split the night. I didn’t look back.

           I called 911. The police, Chief Cromwell, and Agent Wingsfeldt arrived in minutes, lights flashing against the trees. It had stopped raining. Mist still clung to the branches, but light broke through in soft rays. They led my mother out in handcuffs and the Yosemite Killer in a body bag. She smiled as she passed, and for the first time, I didn’t see guilt—only a woman haunted by her own ghosts. All the memories had returned, and the part of me I’d buried. The detective who’d once chased shadows was finally free. That night, Detective Grey was reborn—not as a man of logic, but as an empathetic and more human detective. 

           I forgive you, Mom.


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Posted On: March 16, 2026
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